Ginny
finished warming up and
looked around, worried. Her fourth rehearsal with Steven was
due
to begin at five, and it was five-twenty and he was nowhere to be
seen. This is
bad.
Tardiness was one of the biggest sins at Madame
Rostov’s.
You got to class on time, or you were banished to the barre while
everyone else worked, and you had to apologize afterwards.
And if
you were too late, you just got sent home.
But there was no sign of Steven, and Ginny bit her lip, looking at Mr.
Mike. He was glancing at his watch with the impassive
expression
that meant he was mad, though when he looked up he gave her a quick
smile.
“Was it snowing when you came in, Miss McGann?” he
asked.
“No sir,” Ginny answered. Bad weather was
about the
only legitimate excuse for being late that the Academy allowed, and the
first snowstorm of the year usually snarled traffic something
awful. But while the skies had been heavy, there had been no
snow.
“All right.” Mr. Mike ran a hand through
his
hair. “I’m going to make a quick phone
call.
Work on your port de bras for the moment, and no slacking while my back
is turned.”
Ginny grinned at him, and he hurried out. She knew he was
teasing.
Turning to the mirror, she obeyed, concentrating on getting the angle
of her head and shoulders and arms just right. As Mr. Mike
said,
she had to express a whole range of emotion in her role, everything
from delight to dismay to fear to courage.
But she kept wondering what was keeping Steven. He
didn’t
like dancing with her, and sometimes he could be a little mouthy to the
teachers, but he wasn’t the type to be late.
As she moved, Ginny felt a soft pop across the top of her right foot,
and looked down to see that her elastic had come loose.
Sighing,
she lowered her arms and bent to pull off her slipper.
Then she laughed, because of course in the ballet Clara yanked off her
slipper to hurl at the Mouse King.
Ginny examined the elastic. It had pulled free of its
stitching
entirely, so she ran to the studio door and down the hall towards the
girls’ locker room. She’d only be gone a
moment, and
Mr. Mike knew she wasn’t the type to wander off.
As she passed the offices on the way, though, she heard his voice
coming from a half-open door. “Mrs. Graham, he has
a commitment--”
He sounded really, really mad. Ginny froze for a second,
listening despite herself as Mr. Mike went on. “I
understand that, but we’re already into rehearsals--no,
it’s not, but--”
Whatever was going on, it didn’t sound good. Ginny
kept
going, running lightly so her feet made no sound, and swung into the
locker room to get her spare pair of slippers from her bag.
When she came back along the hall, she couldn’t hear anything
else, but Mr. Mike still wasn’t back in the studio.
Ginny
let out a breath to settle herself, and went back to port de bras,
wondering what had happened.
It took about four more minutes for Mr. Mike to return, and then he
waited to speak until she had finished her run-through.
“Very good,” he said, still looking annoyed, but
not quite
as much as before. “My apologies for the delay,
Miss
McGann.”
“Is Steven coming, sir?” Ginny asked.
Mr. Mike heaved a sigh. “He is not. It
appears that
the Grahams are going to Barbados for the holiday.”
Ginny felt her mouth fall open. It was very bad manners to
accept a role and then back out--though Steven might not have known
about the trip, she supposed.
“Yes,” Mr. Mike said, smiling a little
grimly.
“I don’t think Mr. Graham will be returning to the
Academy
at all. Though that’s not for general consumption,
please,
Miss McGann.” He raised a brow, and Ginny nodded
quickly.
Mr. Mike relaxed, smiling more warmly this time. “I
know I
can trust you to be discreet. We’ll have to
announce it
soon anyway.” He pursed his lips.
“I’ve
already called Mr. Dellarosa, but given the hour we will simply
continue with a solo rehearsal for you and pick up with him on
Wednesday.”
Ginny blinked. She’d almost forgotten that Eddie
Dellarosa
was understudy for the Prince, and for a minute she was sorry, because
he really would make a wonderful Drosselmeyer.
“Will he be
able to catch up, sir?”
Mr. Mike raised a brow. “He should be fine;
he’s had
the role before, though in simpler productions is my
understanding.” He clapped his hands, clear
indication that
conversation was over and dance was beginning.
“Let’s
go over the clock scene again, please.”
Ginny obeyed, wondering how it would be to dance with Eddie.
But
in her heart, she had to admit, she was relieved that Steven was gone.
Tony was in his room, rooting around in Principles of Electronics
for a particular circuit diagram when Jarvis appeared at the door and
cleared his throat. “You are wanted on the telephone, Mr.
Dellarosa.”
“Thanks,” Tony muttered, using a sock as a bookmark
and
sliding off the bed. He ambled out into the hallway and towards the
living room, scooping up the receiver from the phone on the little
table by the sofa. “Hello?”
“Mr. Dellarosa, I have some . . . fortunate news for
you,”
came Mr. Mike’s voice over the line. Tony frowned, since the
man’s voice sounded strained.
“Yes sir?”
“Due to an ill-scheduled vacation, our principal, Mr. Graham
will
not be available to fulfill his obligations to our production, and
therefore you
will be dancing the role of the Nutcracker Prince.”
“Whoah,” was all Tony could manage for a moment,
blinking.
Mr. Mike spoke again, his voice slightly weary. “May I count
on
your full participation, Eddie? I know it means a more intense
rehearsal schedule for you, but this change of cast was completely
unforeseen.”
Tony drew in a breath. “Yes sir, thank you. Um, I
didn’t have an understudy for my part
though.”
“Jill will fill in,” Mr. Mike told him.
“She’s
been in several productions and I can fill her in from the notes, so we
will still have a Herr Drosselmeyer, although without the flair of our
previous one.”
The compliment made Tony blush; he stammered a little.
“T-thank
you. When do you need me for rehearsal?” he looked around the
living room, trying to focus on the cuckoo clock with the Roman
numerals.
“Tomorrow is soon enough. You’ll need to see Mrs.
Manouf
for costume measurements beforehand. And Eddie, thank you. I appreciate
your commitment to this production more than I can express right
now.”
“You’re welcome,” Tony replied softly.
“Does Ginny know?”
“She is about to. I will inform the rest of the company
tomorrow
of the changes. Again, thank you, Mr. Dellarosa. Tomorrow at four,
sharp.”
Tony hung up and stared at the phone a moment longer, then broke into a
huge grin. He spun in a delighted fouetté en tournant in his
bare feet, narrowly missing a side table laden with a Lalique glass
bowl on it before thinking better of his exuberance.
“Aunt Lucy!” he called, bounding through the
apartment
towards the kitchen, “Hey Aunt Lucy, guess what?!”
Zolie Manouf was a small lady with a mouthful of pins and the most
expressive eyebrows Tony had ever seen. Since they had to do a lot of
talking for her, he watched her face and followed directives by sight.
A waggle and nod to one side meant ‘turn this way’;
a quick
scowl meant ‘stand still’ and a sudden
surprised-looking
rise of both brows meant ‘there! We are done.’
He held still as Mrs. Manouf measured his shoulders and height and most
embarrassingly his inseam, her small, bird-like hands moving
confidently. When the numbers were jotted down next to his initials on
her notepad, she made Tony turn around and stared carefully into his
face. She took the pins out of her mouth and smiled.
“You have very nice skin for a boy, Edward, and such lovely
eyes! Soon the girls will swoon for you!”
He blushed fiercely, not sure what to say; yes, it was a compliment,
but it didn’t seem right to say ‘thank
you.’
Mrs. Manouf, however, didn’t seem to worry, and held up
pieces of
cloth under his chin, debating between blue and green. She settled on
the green, and put it into the notebook. “All right, I think
we
will have a green nutcracker with red leggings this year. Very festive,
eh?”
That was safer and Tony nodded, shifting his weight from one foot to
the other. Mrs. Manouf continued, her voice soft. “I already
did
some prelim work on the Prince costume for that other boy, but I
think with a little hemming it will be fine. Better on you, in
fact.”
Tony nodded again; Mrs. Manouf motioned for him to hold out his arms at
his sides. “At least your head will fit
into the papier mâché one, eh?”
That made him grin, and seeing it, Mrs. Manouf smiled herself.
“Good! A dancer with dimples will always win the
audience. Come back before next rehearsal and there should be a jacket
for you by then.”
Tony left the little costume office and made his way to the main
studio, following the sound of chatter and music. When he walked in,
Katie ran over to him and held out a hand for a high-five, which for
Tony was about waist level. She grinned up at him, revealing no front
teeth. “Mr. Mike says you got changed!”
“Yep.”
“Good,” Katie told him. “You are the
goodest jetter.”
Tony figured out she meant jété, and smiled.
“Thank you.”
“We get pizza tonight if we do good,” the little
girl went on, clearly excited. “For everybody!”
this seemed almost too much for her to take in, and she spun around at
the thought then raced away again to join the other girls amid the
crowd of dancers milling around.
Mr. Mike clapped for attention, and the room quickly went
quiet;
he spoke in a low, firm voice. “Thank you so much for being
here
on time, everyone. I have a few quick cast changes to make, so here
they are. Due to a schedule conflict, Mr. Graham will not be in our
production of the Nutcracker this season. Instead, Mr. Dellarosa will
be dancing as our principal, and our own Miss Jill will take his part
as Herr Drosselmeyer.”
There was a sudden shift of attention to Tony, and he gave a small
wave; Katie clapped and several others followed her lead. Mr. Mike
smiled, but cleared his throat and spoke up again. “That was
kind
of you, and I would like to see that spirit kept up for the rest of the
production because we are going to work
tonight. Miss Jill will take the first Act company here in the main
studio, and I would like Miss McGann and Mr. Dellarosa up in the B
studio please. We will be working straight through to six-thirty, so
take your bathroom breaks now, please.”
People began to move more purposefully now, and Tony spotted Ginny
heading for the door. He fell in step beside her, nodding when she
nodded to him. Studio B was much smaller than the one downstairs, and
colder. Ginny turned on the lights and rubbed her arms, glad
she’d warmed up.
She watched as her partner moved to the barre and began to stretch,
moving easily, concentrating. Not wanting to get in his way, Ginny
stepped to the center of the floor and did a few quick jumps in place.
“You can jump higher.”
Ginny looked over at Eddie, who was moving from leg stretches to arm
ones. He was trying to look perfectly innocent, but she could tell he
was waiting to see what she’d say. She lifted her nose a
little
and ignored him.
They both kept working, and then---“You can.
I’ve seen
you jump higher.”
“It’s not about how high Eddie.
It’s about how graceful,” Ginny finally told him.
“Why not both?”
“Huh?” She stopped and looked at him, a little
afraid, but
also a little mad. Was he going to be as bad as Steve?, she wondered.
Eddie tipped his head and looked at her. “Remember what Mr.
Mike
said about making things big? When we were doing the part with me as
Drosselmeyer patting your head?”
She nodded, remembering it well. Eddie went on. “Well, he
said we
had to do things big so the audience could see it. And if you do little
jumps, it’s okay, but if you do BIG ones, you’ll
really
have them looking!”
Ginny frowned. “But I don’t want to do big
ones. I want to do good
ones. I want to be perfect.”
For a moment Eddie looked like he wanted to argue, but instead he
closed his mouth and nodded. It surprised Ginny, and to cover
her
confusion she returned to her jumps, concentrating until Mr. Mike came
in. He was followed by Señora Lopez, one of the
pianists. She took her place at the battered upright in the
corner as Mr. Mike motioned to Ginny and Eddie. They lined up
in
front of him; he was wearing his thoughtful frown, Ginny noticed.
“Normally,” Mr. Mike said slowly, “I
would start with
your first transformation, Mr. Dellarosa, and we would take things in
order. But I want to see how you two work together, so
tonight we
will begin with the post-battle pas de deux.” He
pushed
forward the bench that substituted for the couch she would
“faint” onto, and Ginny lay down on it, Eddie
finding his
mark opposite her. “So, the Nutcracker has just
become the
prince. Let’s begin.”
Señora Lopez started to play. Ginny looked at
Eddie; his
scowl was gone, replaced by concentration, and she closed her eyes to
simulate unconsciousness.
His first move was to wake her with a hand on her shoulder, and right
away Ginny knew he would be better to work with. Half the
time
Steven had pinched her, but Eddie’s hand was gentle, and she
sat
up and rubbed her eyes, then opened them in pretend surprise at his
appearance.
The first part of their duet called for him to approach her and Ginny
to dance away as if shy, and secretly she thought it was a bit silly,
because if she’d just been rescued from giant mice by
someone, at
least she would say thank you. But that wasn’t the
story,
so she slid away from Eddie each time he approached, trying to convey
bashfulness.
Mr. Mike stopped them every so often, correcting them or explaining
some detail. Eddie paid attention to him, Ginny was glad to
see. And to her--he was almost dancing at her, she realized,
making her his focus. It was such a difference that she found
herself smiling at him as she came out of a fouetté, and he
blinked and smiled back, looking a little surprised.
When she had to lean into his arms Ginny didn’t
hesitate.
He was shorter, she had to bend lower, but he was steady and solid, and
she wasn’t afraid to trust her weight to him. He
grinned
briefly at her as she straightened again, and Ginny wondered abruptly
what he was thinking.
When rehearsal was over Ginny was worn out, and she could see sweat on
Eddie’s forehead just before he wiped it away with his
sleeve. Mr. Mike smiled on them both.
“Very
good,” he said cheerfully. “You will both
need to
work hard, but you knew that already, and you work very well
together. I get the feeling that this will be an exceptional
performance.”
Ginny blushed at his praise, and Eddie grinned again, though his cheeks
were a little pink as well. “Are you sure about
lifts?” he asked, a bit cocky.
“She’s nothing
but bones--it would be easy.”
“Hey.” Ginny frowned at him, and Mr. Mike
humphed.
“You’re both too young. And before you
say it, Mr.
Dellarosa, it has nothing to do with your height--I would not have
permitted Mr. Graham to lift anyone either.” His
eyes
flicked to the side as he said it, however, and Ginny suddenly wondered
if age was the reason for Steven too.
Mr. Mike went on. “You both have a copy of the
rehearsal
schedule, so be on time and we’ll make progress.”
He clapped his hands, and they both made their
révérence
to him and to Señora Lopez before leaving for the locker
rooms.
Tony found a note taped to his duffle, and unfolded it
curiously. It was in Jill’s neat
handwriting. Eddie--Gervase
called. Car is not working; take subway home. Call
when you leave.
It took him a minute to figure out who “Gervase”
was supposed to be. Cool.
Tony crumpled the paper and tossed it into the nearest trash can,
grinning as it slotted neatly into the receptacle.
He’d
been on the subway several times with Jarvis or Aunt Lucy, but never
alone, and this was a great opportunity to show that he knew what he
was doing.
After all, he’d already memorized the subway map.
Calling Aunt Lucy’s only took a moment, and Jarvis cautioned
him
gravely about staying alert on the subway. Tony promised to
be
careful, and half-ran out of the studio, slinging his bag over his
shoulder.
The nearest station wasn’t far, and the crowd was fairly
thin,
given that it was past rush hour. Tony waited for the next
train,
squinting at the graffiti on the far side of the tracks and trying to
make out the words.
A half-familiar giggle broke his concentration, and Tony glanced over
to see Ginny and Trish. They were huddled together like girls
did, talking fast, and as he watched Ginny gestured, sending them both
into fresh giggles.
It made him want to smile. They weren’t cute the
way Katie
was, or mysterious like the older girls, but they sounded
happy.
It was interesting to see Ginny outside the studio, too--she was always
serious when she danced, concentrating hard, but right now she looked
like any other kid.
Both of them looked up as the train arrived, but they didn’t
see
him, and on impulse Tony followed them into the car, collapsing into a
seat since there were open ones. Ginny and Trish sat down
too,
and as the train jerked into motion they squirmed around to face each
other across their seats. It was hard to hear them over the
roar
and clatter, but he thought Trish said “Miss
Susie?”
Ginny held up both hands, palms out, and to Tony’s surprise
they
began a fast clapping pattern, chanting together. Their hands
moved so quickly that he almost couldn’t follow the pattern,
and
the words of the rhyme made him laugh, because they were almost
dirty. He’d never seen kids do something like that
before,
and it was pretty neat.
The girls kept going, faster and faster, and then suddenly finished
with a flourish, interlacing their fingers on the last clap and leaning
their foreheads together to giggle some more. Curious, Tony
got
up and wandered down to their seats. “Hey,
where’d
you learn to do that?”
Both of them sat up straight, the laughter disappearing, but then Ginny
smiled. “Oh, hi Eddie.”
Her friend smiled too, looking up at him. “My
sister taught
me, and I taught Gen.” She nudged Ginny, who merely
shoved
her back. “What happened to your limo?”
Ginny rolled her eyes. “That’s rude,
Trish.”
Tony grinned and sat down one seat past them, swinging his duffle to
his back. “‘D rather take the
subway. Nobody
breathing down my neck, you know?”
That made them both giggle again, and then Trish started explaining
clapping rhymes to him. Ginny let her do most of the talking,
though she would interrupt every so often, and then they started
demonstrating different claps for him. It was pretty cool,
actually--they made it look easy, but he could tell it took a lot of
practice to get that fast.
They were almost to his stop when Ginny glanced past him down the
length of the car, her smile disappearing. She looked quickly
away, grabbing Trish’s elbow and leaning in a bit.
“It’s the Creepy Guy,” she hissed.
Trish’s smile vanished too, and Ginny squeezed her
arm. “Don’t look!”
Tony stiffened. “Who’s the Creepy
Guy?” he demanded.
Ginny grimaced. “He’s a weirdo.
He likes to follow us from the station back to our block.”
“He gets close and then he...says things,” Trish
said,
looking actually frightened. “Dirty
things.”
That made him mad, right there. Nobody should scare little
girls
who had to walk home in the dark alone, especially not jerkoffs with
dirty mouths. Tony slipped the strap of his duffle off his
arm,
tipping it so that the next lurch of the train knocked it off onto the
floor. Rising to pick it back up, he glanced the way Ginny
had
been looking, spotting the guy right away. He was kind of
scruffy, and he was watching the girls with a funny little grin on his
face.
Tony slung his bag back over his shoulder and sat back down.
“I’ll walk home with you.”
Ginny blinked, and for a second he thought she might argue, but Trish
looked relieved. “Really? Oh wow, thank
you!”
Ginny bit her lip, then looked up at him.
“That’s...really nice of you,” she said
seriously. “Thanks.”
Tony grinned down at her, feeling like he was miles older than
them. “No big deal.” He
wasn’t quite sure
how he was going to explain the delay to Aunt Lucy, but he kind of had
a feeling that she wouldn’t be too mad if he told her why.
So he stayed on the train past his stop, and the three of them talked
about dancing while Creepy Guy kept his distance. Tony
glanced at
his watch at one point, trying to figure out how much time he had
before Aunt Lucy freaked out, but either way he wasn’t going
to
back out of the deal.
Creepy Guy followed them up out of the girls’ station, but he
hung back almost a whole block; Tony checked a couple of times, trying
to keep it casual. Ginny and Trish kept talking--in fact,
Tony
was starting to think that Trish never shut up--but he didn’t
mind. It was cheerful, and both girls were pretty smart for
nine.
Their neighborhood wasn’t as high-class as Aunt
Lucy’s, not
by a long shot, but it wasn’t bad, he thought. The
stores
had bars on the windows, but none of them looked trashed, and none of
the apartment buildings had broken doors or windows.
When the girls stopped in front of one building, Tony glanced back, but
Creepy Guy was gone. Probably gave up, he thought with
satisfaction.
Someone called Trish’s name from a window two stories up, and
she
got a guilty look. “Gotta go, thank you Eddie, see
you
tomorrow Gen,” she said fast, and ran up the steps and
inside. Ginny giggled.
“She forgot to clean the gerbil cage again, I bet,”
she
said. Standing on the first step, she was still a little
shorter
than Tony. “Thanks for walking us home.”
“No big deal,” he said again, and frowned a
little.
“Why do you guys go by yourselves if he shows up?”
Ginny looked frustrated. “My parents have to work a
lot,
and Trish’s mom can’t always come pick us
up. If we
told them--” She turned her hands up gracefully,
and Tony
knew what she meant.
Tell the parents, and never get to go anywhere alone again.
They might even have to stop dancing.
“You know, you could probably kick him pretty
good,” he
said thoughtfully. “Like a quick rond de jambe to
the
crotch.”
Ginny’s eyes widened, and when Tony grinned she burst into
laughter. He almost leaned over and ruffled her hair, but
then
remembered how much he hated it when adults did it to him.
“See you next rehearsal?”
“Yeah.” Her smile was really
sweet. She gave
him a little wave and bounced up the steps. Eddie watched
until
the door closed after her, and then turned around and headed back
towards the station, humming.
He spotted a public phone at the end of the block, so he stopped and
called the apartment. The quiet “Mrs.
Bereford-Tipton’s residence” was in
Jarvis’ voice,
and Tony let out a quick breath of relief.
“Hey, it’s me. I got kinda delayed, but
I’m heading home now.”
“All right,” Jarvis said, and while he
didn’t usually
sound anything but calm, his voice was a bit relieved too.
“Your aunt is quite worried.”
“Yeah.” Tony felt guilty.
“I have a good
reason, but it’ll be easier if I just explain when I get
there.”
“Very well. You’ll be home
in...?”
“Half an hour, I think,” Tony estimated.
He said
goodbye and hung up, glancing around just in case Creepy Guy had made a
reappearance, but the only other people on the street looked like
normal folks coming home from work.
Aunt Lucy was waiting on the velour couch when Tony came in.
“Where have you been?”
she demanded, sounding pretty mad, though to him she looked more upset
than angry. “If this is how you behave when
you’re on
your own--”
Tony set down his bag and straightened his shoulders. Aunt
Lucy
wasn’t half as scary as his dad...or even his mom...but she
could
ground him but good if she decided to, so he went for
respectful.
“I walked a couple of kids from Madame Rostov’s
home.
They, uh, they’re only nine, and there was some creep on the
subway following them.”
As he’d hoped, she softened. “Oh--oh,
well, that was
good of you, Tony. Very, um, gentlemanly.”
Tony shrugged, a little embarrassed. “Yeah, well, I
called as soon as I could.”
Aunt Lucy sighed. “Very well. Clearly
Maria is
raising you correctly.” Her smile was small, but
her anger
seemed to be gone. “Just be careful, all
right?”
“Yes ma’am.” Tony relaxed.
Behind him a throat cleared. “Mr.
Dellarosa’s supper
is getting cold,” Jarvis said gently from the entrance to the
dining room.
Aunt Lucy waved a hand. “Go, go--I’m sure
you’re hungry.”
He was. Tony turned and took two steps towards the dining
room,
but another gentle harrumph made him turn back for his bag.
Grinning at Aunt Lucy’s rolled eyes, he grabbed it up and
went to
eat.
It was snowing when Ginny left the studio, small starry flakes floating
down from the endless blackness overhead. She pulled her
fuzzy
hat down over her ears and set off along the sidewalk, smiling at the
snow; she loved snow even when she had to walk in it.
Tonight she was alone; Trish’s rehearsal had ended earlier,
and
Ginny’s mom and dad were working late. She
didn’t
mind going home alone...much...even if she did have to take the bus.
The stop was halfway down the block from Madame
Rostov’s.
Ginny leaned against the signpost and waited, hoping that she
hadn’t just missed the bus; as much as she liked snow, it was
cold out.
The studio door banged open, and she saw a figure come out and jump
down the steps--Eddie. He always came out like he had been
shot
from a cannon. But at the bottom he stopped and looked up,
tilting his head way back.
Ginny watched him. He stayed that way for a little while, and
she
wondered what he was doing, but finally he straightened and started
walking her way, holding out one hand to catch the flakes as they fell.
As he came closer, she saw that he was smiling, even though his fingers
and nose were already red with cold.
“Don’t you have
any mittens?” Ginny asked. Her own were blue to
match her
coat and hat.
Eddie blinked and looked up. “Oh, hey, Ginny,
what’re
you doing here? I thought you took the subway.”
“I’m not allowed to go alone,” Ginny
said, still a
little annoyed by the rule. “I have to take the bus
instead.”
He cocked his head, narrowing his eyes.
“Doesn’t that take longer?”
Ginny sighed. “Yeah, but it’s
safer.”
Eddie snorted. “That’s dumb.”
Since she agreed with him, Ginny didn’t argue.
Eddie
hitched his bag higher. “Come on, I’ll go
with you,
and that way you won’t have to be alone.”
Ginny hesitated, tempted, but in the end she shook her head.
“I can’t. I promised I wouldn’t
go on the
subway without Trish.”
She raised her chin, almost sure Eddie would laugh at her for
it.
His mouth twisted up and he looked kind of disbelieving, but then he
just shrugged. “Okay.”
He dumped his bag on the bench, and grinned at her.
“I can
get home this way too. How soon does it get here?”
Ginny wondered suddenly if he didn’t like going home alone
either. “Ten minutes, probably. If
it’s not
late.”
The snow was falling faster, and Eddie tilted his head back again to
look up at it. There were flakes melting on his hair, and the
corner of his mouth kept turning up. Ginny eyed his
hands.
“You really should have mittens. And a
hat.”
“Don’t like hats,” Eddie said absently,
but he shoved
his hand in his coat pocket and came out with a pair of new-looking
gloves, which he put on without really looking at them.
“You like snow,” Ginny guessed when he cupped his
hand to catch more flakes.
Eddie glanced over at her. “It’s too warm
where I come from for snow,” he said after a moment.
She was going to ask where that was, but then she remembered how
he’d acted the last time she’d asked.
“If it
keeps going there’ll be enough for snowmen
tomorrow.”
She swept the dusting off the top of the bench into her mitten and
squeezed it. Yep, it was good building snow.
“Cool,” Eddie said, shaking the snow off his
glove.
He started looking up again, and Ginny smiled to herself and bent down
to gather more.
“Use your
wrist and your fingertips, Tangerine,” she
remembered her father telling her. “And don’t
forget the rotation.”
The snowball hit Eddie smack in the chest, making him jump, and Ginny
couldn’t help laughing at the surprise on his face.
For a
second she thought he was going to be mad, but then he yelped and dove
for the snow on the ground, and Ginny shrieked and ran back towards the
studio steps.
His snowball hit her right between the shoulderblades, and Eddie
whooped. “Gotcha!”
By the time the bus showed up they were both panting with
laughter and running, and almost too warm for their jackets, which were
covered with snow. They trooped onto the bus, Ginny first,
and
she paid and sat down while Eddie rooted around in his pockets for
change.
“Whew.” He collapsed into the seat next
to her,
dumping his bag on the floor despite the dirty meltwater all over the
place. “So how long is this ride?”
“It’s about forty minutes for me,” Ginny
said.
“I think you’ll get off sooner, though.”
Eddie squinted into the distance, though she couldn’t see
what he
was looking at, then nodded. “Yeah, I think
so.”
They talked about building a snow Nutcracker until they reached his
stop.
Saturday rehearsals were longer, but Tony didn’t
mind. They
were a nice change from being trapped in school cooking along with the
radiators, and he knew he could finish his homework in a couple of
hours on Sunday night. That left the rest of the weekend for
dancing, soldering, and reading, and exploring if the weather was good
enough. Aunt Lucy had bought him a bunch of cold-weather
gear,
but he still had trouble when the wind started howling.
The other thing about Saturdays was it was rehearsals for all the crowd
scenes too, which meant dancers everywhere. When the big
studio
was cleared out for Mother Ginger and the Polichinelles, Tony grabbed a
towel and made himself scarce, looking for a spot to sit down for a bit
and maybe read the latest issue of Popular
Mechanics.
He decided on the stairs to the fourth floor, and headed in that
direction. They didn’t get used as much, and while
they
were a little chilly the window gave enough light to read by.
He
could scrunch up against the wall if anyone needed to go up or down.
But as he put his hand on the door to the stairwell he heard someone
beyond, and paused.
“I don’t know why Mr. Mike chose
you.” Tony
recognized the voice--Flavia Barricelli, the older girl dancing the
Sugar Plum Fairy. She had a nice voice, really throaty, but
she
was pretty snooty, and tended to ignore the younger dancers unless she
had to work with them directly. Her little sister was
Ginny’s understudy.
But Flavia didn’t sound snooty now; she sounded
mean. Tony cocked his ears, curious.
“You’re too short and too young, and that
hair--” Flavia made a tsking sound.
“Whoever
heard of a Clara with red hair?”
And that told Tony who she was talking to. He frowned hard,
debating between opening the door or going for one of the
teachers. But Flavia was still talking.
“You should bow out and let Celia have the role; it really
would be better for everyone.”
“Mr. Mike picked me,”
Ginny answered, her voice so quiet that Tony could barely make it out.
Flavia laughed, and the sound made Tony frown even harder.
“Only because Celia was out sick during tryouts. If
she’d been there you never would have stood a
chance.”
The slightest of sniffles reached Tony’s ears, and he made up
his
mind. Reaching for the doorknob, he turned it carefully,
pushing
the door open as quietly as possible.
Flavia was standing with her back to the door, en pointe
so she towered even more over Ginny, her hands on her hips.
Beyond her was Ginny, staring at the floor, and the way she was biting
her lip made Tony really angry.
“Actually,” he said, his voice as casual as he
could make
it, “Madame Rostov picked Ginny for Clara.”
Flavia started so badly she actually fell off pointe, catching
herself on the turn of the bannister. Ginny’s head
jerked up, and Tony saw tears on her cheeks.
Flavia’s mouth was open, and her face was turning
red. Tony narrowed his eyes the way his mother did when she
was really
pissed off. “Celia sucks compared to
Ginny,” he
added. “So quit trying to scare her and get out of
here
before I tell Mr. Mike you’re trying to run Ginny
off.”
Flavia was at least six inches taller than Tony, and three years older,
but he guessed he’d flustered her pretty good, because she
didn’t say anything, just pushed quickly past him and back
out
into the corridor. Tony closed the door after her and looked
over
at Ginny. “You okay?”
She had her hands over her face, and she shook her head
miserably. Tony hesitated, but he didn’t want
anyone else
coming in and finding her, so he went over and put a hand under her
elbow. “Come on.”
He led her gently up half the flight of stairs to the landing, pulling
her out of sight of anyone who might come in through the lower door and
making her sit on the first step above the landing. Ginny
sniffled into her hands, her shoulders quivering, and Tony sighed and
sat down next to her.
“Flavia’s a bitch,” he said
bluntly. “And
a liar. She’s just mad because Celia
didn’t get the
part.”
His mother would wash his mouth out with soap if she ever heard him use
that word, but she wasn’t there, and in this case he figured
it
applied. Ginny lifted her head to look at him in shock, her
eyes
red, and Tony pulled the towel from around his neck and handed it to
her. “Here, blow your nose.”
Ginny didn’t, but she did wipe her face.
“She’s
right,” she said in a whisper. “Clara
doesn’t
have red hair.”
“How do you know?” Tony asked
practically. “She
has whatever color hair the best dancer does.”
She didn’t look convinced. Tony cocked his
head.
“Look, you know Mr. Mike is fair. He picks people
because
of their dancing, not their looks. And if your hair really
was a
problem they’d just make you wear a wig or
something.”
That made Ginny splutter a little laugh, and Tony grinned.
She
wiped her eyes again. “How did you know that about
Madame
Rostov?”
Tony hesitated again, but he really didn’t want to lie to
Ginny,
not when she was looking at him with such big trusting eyes.
“I don’t know it, I was just trying to get
Flavia.
But I bet it is
true.” He shrugged.
“Isn’t that why she comes to the
tryouts?”
Ginny blinked. “Yeah...”
“There you go then.” Tony patted
Ginny’s
shoulder gingerly. “You going to be
okay?”
She swallowed, then nodded, her chin coming up, and Tony
relaxed. “Thanks,” she added, in a
whisper.
“Any time. Come on, let’s go get a
Coke.”
Ginny stood up and folded the towel neatly, and smoothed her hair back,
though a few wisps kept curling stubbornly up. Tony smirked
at
the back of her head, and didn’t point them out as she led
him
back downstairs and into the hall.
The wait for the Number 55 bus was boring, especially just after
sunset. Ginny didn’t like sitting on the bench because it was
metal, and cold, so she walked around it. The big sodium streetlight
made a nice arc on the ground around the stop, so she could see
everything around her, and sometimes she thought it was like a
spotlight.
Eddie had started waiting with her now, and he didn’t like
sitting on the bench either. “Man, I hate a frozen butt, and
by
the time you get the bench warmed up, the bus comes.”
She giggled at that; sometimes he said things like he was serious, but
she knew he was trying to make her laugh. Eddie didn’t do it
often when they were dancing—once in a while—but
when they
were hanging out, he could be funny.
It was starting to snow very lightly now, and Ginny wanted to get home
because it was pizza night. She only half-listened to Eddie as he said
something about making robots, and all of a sudden she did a quick
pirouette, liking the way her breath made a little vapor trail around
her. Eddie stopped talking and looked at her; she stopped, but he waved
to her to keep going.
“It looks . . . different when your hair’s
down,” was all he murmured.
Ginny felt her face get hot, but she turned and went into the steps for
the scene they’d just been rehearsing earlier, near the very
end
of the Nutcracker. She reached out, and Eddie moved into position,
catching her hand in his, his glove cupping her pink mitten.
She let him brace her for her arabesque, and they moved from that to
her three fouetté en tournants, which flowed into the half
turns. For the first time, Ginny understood how good it was to dance
with Eddie. It didn’t matter that they weren’t in
the
studio, or in the cold auditorium; they could do this anywhere, even at
a bus stop and it was right.
Ginny loved the feel of the snowflakes, and the blue glow of the
twilight. She loved that Eddie looked like he was having fun too. It
was hard to be graceful in snow boots, but she managed and at the end
of the segment when she knew she was supposed to twirl and lean back
into his arms with her own extended, Ginny did it without hesitating.
They paused, holding the pose, and all of a sudden the slow, loud sound
of clapping hands rang out in the snowy night. Eddie gently pushed her
back up to standing, and she looked around for where the sound was
coming from, her face getting red again.
“Lawd child, that was so bee-YO-ti-FUL,” came the
cheerful
call of the bus driver. The 55 had pulled up, and the folding doors
were open, revealing the grandmotherly face of the driver. At the
windows, several other passengers were smiling and applauding.
“That was great!”
“I didn’t know we had stars riding this
route!”
“When’s your show?”
Ginny ducked her head, too embarrassed to talk, but Eddie climbed up
the steps and stood at the front of the bus next to the fare box,
smiling. “We’re doing the Nutcracker at the Wilson
Auditorium in one week, and Ginny here is the star. You can get tickets
at the Rostov Dance Academy and they’re cheap. Come and see
us;
the show’s really, really good.”
The passengers smiled and nodded, a few looked as if they might
actually do it. Ginny slipped into an empty seat, still pink, but when
Eddie sat down next to her, he lightly bumped her shoulder with his
own. “That was cool.”
“I didn’t know anyone was watching us!”
she blurted in a whisper.
He grinned at her. “Well they were, and you were great, even
in
boots. I wish Mr. Mike would let you dance with your hair
down,”
he added, and brushed a few melting flakes from her head.
Ginny bit her lips and smiled at Eddie. “You were great. I
knew you’d be in the right place.”
Eddie blushed; the red spreading over his fair skin, and he ducked his
head, quiet for the rest of the ride to her house.
“All right, take a break, Ms. McGann. Fifteen
minutes.” Mr. Mike nodded to her, and Ginny lowered
her
arms with a puff of relief. Saturday rehearsals were
great--they
had practically the whole day to work on refining their pieces--but
they did wear her out. Even Eddie was tired by the time they
were
dismissed.
Ginny rolled her head on her neck to ease an ache and left the little
studio. I
need a drink of water--and I hope the apple’s still in my
bag-- Normally eating was not encouraged at
Madame Rostov’s, and never in the studios, but Mr. Mike had
given all of the Nutcracker
cast a special lecture.
Listen to your bodies,
he’d told them, smiling in that dry way he had.
Pain is the way your body tells you something’s wrong, and
hunger
is the way it tells you it needs fuel. We do not want to see
any
of you hurt yourselves because you didn’t listen.
So long rehearsal days meant snacks were permitted, as long as they
didn’t leave trash lying around. The hallway was
packed
with dancers stretching, talking, and exercising, and she dodged around
them to the water fountain, filling up on cool water before finding her
bag.
There was not only an apple, there was an orange too. I think Mom’s been
sneaking stuff into my bag again.
Ginny fished them both out and went to find a quieter place to sit,
where she wouldn’t get accidentally kicked by someone warming
up. The
stairwell, maybe--
It was empty, with no one going up or coming down, and Ginny pattered
up the stairs to the first turn, planning on sitting there where Eddie
had taken her after scaring off Flavia. But someone was
already
there.
Eddie was staring at the window in the turn of the stairwell, his
expression so lost that Ginny’s breath caught in her
throat. But then he noticed her, and scowled.
“What do you want?” he asked rudely.
She almost backed away, but he didn’t just look angry, he
looked
miserable too. Something was wrong, and she wanted to help.
So Ginny sat down next to him on the stair. “Mr.
Mike wants
us both in Studio Three in ten minutes,” she told him,
pretending
not to be scared of him.
Eddie glared some more, but Ginny rubbed the apple on the sleeve of her
leotard and took a big bite, looking out the window herself.
Eddie didn’t say anything, and after a minute she felt his
anger
stop pushing at her. He sighed.
Ginny held out the orange, still looking through the window, and felt
him take it from her palm. A moment later the sharp smell of
citrus made her nose tingle, even over the apple juice.
She finished her bite and took another, chewing slowly and swallowing
before speaking. “Are you okay?”
Eddie was quiet for a while longer, and then finally he sighed
again. “I was supposed to go home right after
Christmas,
and now it looks like I can’t.”
His voice was low--he wasn’t even trying to sound like he
didn’t care. Ginny thought about it for a little
while. She knew Eddie had a secret--he didn’t
answer
questions about his life, for one thing, and while he’d
mentioned
his aunt he didn’t talk about his parents either.
Ginny
hadn’t thought about it too much; she’d just
figured that
maybe they were dead, or maybe divorced.
“That’s too bad,” she said after a
while. It
was sad to think of Eddie leaving, but he obviously wanted to go back
home.
“Yeah.” He sounded bitter, and Ginny
finally turned
to look at him. He was peeling the orange carefully, so that
the
rind came off in one long curl, and he didn’t look back up at
her. His hair was hanging in his eyes. “I
mean, it
wasn’t a sure thing, but...”
“That’s still a pain,” Ginny
agreed. She
couldn’t imagine being away from her parents for
Christmas.
Just the idea made her feel sad.
Eddie finished pulling off the rind and started splitting the orange
into sections. Ginny took another bite of apple.
“It’s not like I don’t like New
York,” Eddie
said quietly, still staring down at his fruit. “But
I miss
home, you know?”
Ginny watched as his clever fingers laid down another wedge.
“What’s it like?”
He glanced up at last, his mouth twisting. “Warmer
than this.”
That made her grin a little, and he looked back down,
smirking.
“I dunno. Different. More spread
out.” He
arranged the wedges into a pattern on the spiraled rind.
“You’ll get to go back eventually, though,
right?”
Eddie flicked the pattern with a finger and it fell apart.
“Yeah. Eventually.”
He didn’t sound sure, and that made her sad too.
But then
he popped one segment into his mouth and looked up, trying to
smile. “Anyway I’ll get lots of
presents.”
“That’s an advantage,” Ginny
agreed. “What are you asking for?”
“Wrenches,” Eddie said around another segment, and
Ginny blinked.
“What?”
“Wrenches. The snap-on kind.”
“Oh.” She nodded. “My
mom has a set of those.”
Eddie offered her a piece of orange, but Ginny shook her
head.
“What do you want?” he asked, eating it himself.
“The Vaganova ballet book.” Ginny smiled
behind her
apple. “I keep getting it out of the library, and
it’s a pain to return it.”
“Yeah, I bet.”
They finished their snacks without saying any more, and then got up to
go back to rehearsal, but Ginny could tell that Eddie felt better, and
she was satisfied.
The head was terrible. Tony hated the way it felt, and the eyeholes
were uneven, making it hard to see and hit his marks. Mrs. Manouf
empathized, and tried to make the padding more comfortable.
“You are lucky you do not have to dance the entire story in
it, though.”
Tony knew what she said was true, but it didn’t make it any
more fun to wear it.
They were rehearsing in the auditorium now, and the sets were being
built all around them. Mr. Mike and Jill were old hands at keeping the
rehearsals on track, and there were several parents helping out as
well, making sure the dancers had their sweaters and leg warmers and
bobby pins within reach.
During a break, when Mr. Mike was working with Mother Ginger, Tony sat
with Ginny in the front row seats along with Phillip and some of the
Sugar Plum fairies. Ginny was focused on watching Trish, but Tony could
tell her mind was somewhere else. He tried to get back to his calculus
textbook, but the seat wasn’t comfortable, so he gave up and
set
it aside. “You okay?” he asked.
“Huh?” Ginny blinked, and shot him a glance.
“I’m just . . . thinking.”
“Hard work,” Tony agreed, just to tease her.
Usually she
would grin at something silly like that, but this time Ginny just
looked at him blankly, and he saw that she’d bitten her
thumbnail
down to the quick. That little sign bothered him, and Tony sensed there
was something much more to her preoccupation.
“Hey, I’m serious. Is something wrong?”
he asked
softly, so the other dancers around them couldn’t hear. She
didn’t respond for a minute, and then, after seeming to come
to
some internal decision, she leaned towards him and it came out in a
quick whisper.
“My dad’s getting sick again.”
Tony hesitated. “Yeah?”
“Yeah,” Ginny nodded reluctantly. “I
heard Mom
talking on the phone to Gramma Leigh, and I know I shouldn’t
listen in, but . . . I did. He’s getting tests at work
today.”
Dimly Tony remembered Ginny’s dad worked at a hospital, and
he
shifted in his seat uncomfortably, wishing he could say something
reassuring. “Oh.”
“Don’t tell anyone,” Ginny sighed.
“Okay?
He’ll get better like last time, I know he will. It just
makes me
sad when he’s sick.”
“Okay,” Tony agreed, and awkwardly rubbed her thin
shoulder. “He’ll get better.”
She flashed a hopeful smile at him, blinking a bit, and then Mr. Mike
called for them to come up and get into position on the stage. Tony
followed Ginny, keeping his gaze on her and feeling for the first time,
that maybe someone else would be having a rougher Christmas than he
would.
Ginny knew that the only thing that should be on her mind should be
dancing, and maybe school, but that phone call kept coming
back.
Her Daddy didn’t look any different, but he took a nap almost
every evening he didn’t work late, and somehow Ginny knew
that
something was wrong.
She couldn’t remember all that much about when he’d
been
sick the last time; she’d only been six, and it had been
summertime, so she’d spent a lot of the time with Gramma
Leigh
upstate at the farm. But she did remember
that before he’d gotten sick, Daddy had picked her up and
tossed
her in the air every night when he got home.
He hadn’t done it since, and while Mom said it was because
Ginny
was too big, Ginny knew that wasn’t true. She was
still
small and light.
Finally she had
to know.
She waited until Friday, when they were eating macaroni and cheese for
supper--just the two of them, since Mom had to work late.
Daddy wasn’t eating much of his macaroni, Ginny noticed with
a
sinking feeling; mostly he was just pushing it around on his plate,
even though he was asking her questions about rehearsal. So
she
just asked.
“Daddy? Are you sick again?”
Mr. McGann blinked, his fork stopping its trip around his plate, and
then he laughed, shaking his head. “I told Gwen you
would
know.”
Ginny bit her lip, and he reached across the table to pat her
hand. “Yes, Tangerine, I am. Sometimes my
kind of
cancer comes back, and this time it has.”
He was smiling, but she didn’t feel any better.
“But you’ll get well, right?”
“Don’t worry, I’m
tough.” He
winked. “I beat it once, I can sure do it
again.”
Ginny relaxed some. “Are you going to go bald again?”
Mr. McGann laughed again. “Probably!
I’ll have
to borrow some of your hair to cover me up--think you can spare
some?”
He tugged one of her braids, and Ginny giggled. “I
need it for the show!”
“Oh, I can wait until after.” Mr. McGann
took a bite
of macaroni and spoke around it. “Next time your
Prince
walks you home, ask him in. I’d like to meet
him.”
“Usually you’re not here,” Ginny pointed
out.
“But okay. I don’t know if he
will.”
“I’ll bake cookies, then,” her Daddy
said.
“I have yet to meet a young man who can resist
cookies.”
Ginny rolled her eyes; he was getting silly again. She
finished
her dinner with a lighter heart as he teased her about what kind of
cookies Nutcracker Princes might like.
Of course he would get better.