(Author’s
notes: This is a series of short complete vignettes set in the
framework of a
single night in
Saturday
night in
I.
On
the northeast side of the city in a bungalow off
Sara
however is even now is raising the stakes by murmuring an alternative
offering
to the two remaining chips before her. Grissom cannot deny the allure
of her
salacious suggestion, particularly when he holds four nines in his
hand. He
will give her the confidence to bet again, then let her call, and see
his
cards. The La Perla panties will end up under the table as Grissom
ruthlessly
collects his winnings, scattering cards and chips when he lays Sara
down on the
green felt cloth and demonstrates his in-depth skill at other, more
deeply
sensual forms of poker.
II.
Across
town, Greg Sanders stirs under the quilt of his bed, lost in hot and
compelling
images moving through his REM sleep. Visions of Clementine, smiling and
gorgeously naked, taunt him, and even as he pursues her enticing figure
though
vaguely familiar halls, he shivers. Desire, unrestrained by
consciousness and
civility courses through him and he freely lusts for her in these
dreams the way
he never allows himself to in waking life. Aching and aroused, he
clutches his
sheets, his senses befuddled with longing, and comes in a few hard
thrusts
against the mattress, waking in confusion and embarrassment to find his
dreams
have once again dampened his sleep and left him aware of this
attraction that
confounds him.
III.
Standing
in the moonlight shining through the window of her bedroom south of the
Fifteen, Heather Marazek moans a little as strong fingers dab a creamy
blob on
her collarbone. The Cool Whip slides down the slope of her elegant
chest,
melting slightly with the heat of her skin. A low voice laughs, and Jim
Brass
licks the sweetness from her satiny skin, letting his tongue sweep over
the
high firm nipple. His other arm is around her slender back, hand
splayed
possessively over the swell of her taut ass. Heather tips her head
back,
inviting more kisses and licks along her body, her hands caressing
Jim’s strong
back. This impromptu game, set off by a sly comment about being good
enough to
eat is quickly heating up, and both of them feel a coiled urgency
between them
now.
Heather
nibbles her way through a few strategically daubed blobs along
Jim’s body;
aware of his undeniable passion for her, and in a move that both
delights and
startles them both he takes her up against the window, the moonlight
silvering
their bodies. Heather wraps her legs tightly around his waist, pinned
between
the chill of the glass at her back and the searing heat of
Jim’s
lust inside
her thighs. She tips her head back again, lost, gloriously lost for the
moment
in the waves of pleasure washing through her body as a deeper
connection is
being forged in this confectionary heat to her delighted, devoted lover.
IV.
In
an upper-class neighborhood east of the Strip, in a staid and stuffy
bedroom,
Conrad Ecklie makes love to his wife. His eyes are closed, (as are
hers), and
he is concentrating hard on the image of Sophia Curtis. In his
mind’s eye he
sees her cool contempt and lazy self-assurance wiped away by his
amazing
technique; he pictures Sophia panting under him, blonde hair fanned out
on the
pillow, calling him erotic names and raking his fuzzy back with her
nails,
begging him to take her back to dayshift so they can make love each
lunch hour
at the Hushabye Inn.
His
moment of personal ecstasy quickly arrives when she moans in his ear
that both
Sara Sidle and Catherine Willows long to be in a threesome with him,
and oh by
the way Grissom is gay. As he shudders his release and sighs, slowly
relaxing,
his wife whines and pushes his body off of hers, silently fretting
about his
continued premature ejaculation problem.
V.
On
a porch swing off the side of the family vacation cabin at
Her
kisses set off little firecrackers of
desire through him, and David indulges in the sensual joy of playing
with
elegant curve of her bottom, delighted at her eagerness, her
uninhibited pleasure
in leading him, Mr. Shy and Proper, oh so very much astray--
VI.
On a bluff overlooking a
spectacular view
of Las
Vegas, in a car that is growing increasingly cramped, Warrick Brown is
finding
that the amusing idea of showing Catherine Willows where he used to
take his
dates for a little necking is becoming less amusing--and more
arousing--by the
second.
He’s not sure if it
is the
power
of suggestion, or just the glint in Catherine’s eyes when she
asked him if he
was out of practice, but the small voice that tells him how juvenile
groping in
the car is for people their age is rapidly fading.
With his free hand he fumbles
under his seat
for the release lever, desperate for more room; his half-formed
intention to
postpone things until they get back to his place crumbles as Catherine
takes
advantage of the move and settles herself athwart his lap.
Abandoning caution, he
grins and pulls her
closer,
absorbing her wicked smile with his own mouth.
Her kiss is sweet and hot;
her fingers are in his hair, and his
are
sliding down her back between her slacks and her satiny skin, and as
her supple
form moves against him he blesses the fact that she has no qualms about
dating
a subordinate.
Then she leans back, an
arch of beautiful woman silhouetted against the
VII.
In a modest house far
from the glitter of
the Strip,
Detective Sam Vega lies still in the darkness, cradling the sleeping
form of
his wife.
The cancer has eaten her
energy and its treatment has worn away both the rich curves he adored
and the
abundant dark hair that was her pride, but his love for her has only
deepened
over time.
She is too frail now for its
physical expression, but nearly twenty years of marriage have taught
him many
other ways to show her.
She stirs against his
chest, smiling a
little, and he
thanks God that her dreams are good, and lays a kiss on her temple. He
prays for a miracle; but he knows that
without one he will not have her for much longer. Every
bittersweet moment is precious to him
now.
VIII.
In
the back bedroom of a condo southeast of the Strip, David Hodges eyes
his date
for the evening with a resigned sigh. Not many sexual partners weigh
only eight
ounces, but this bottle of Astroglide is the one he normally keeps in
his
travel kit. A quick flip of the cap, the appropriate amount and he lies
back,
letting his mind flip through the little black book of his own mind.
The most
recent pages are all dedicated to his co-workers of course; even now
Hodges
can’t believe his luck in that department. Foxy Catherine
with
her great ass;
Sophia and those delectable tits, God, the overall Sara package
including that
wickedly tempting mouth of hers—
But
his lascivious thoughts turn to a single woman, the one with the coolly
dismissing smile and hint of heat to her graceful demeanor. In his
mind’s eye
Hodges sees Mia Dickerson luring him into a storeroom, stripping off
her lab
coat to reveal her glorious nudity, throwing herself at him, begging
him for
the magnificent sexual satisfaction she knows only HE can give
her . . .
VIIII.
By
the light of a few candles, Al Robbins lies in bed reading poetry aloud
to his
wife Simone. The flattering play of shadows and gold glow give his
grizzled
chest and broad shoulders an appeal she can never resist. He is her
orso, her
big bear, and with his soft deep voice reciting the timeless lyrical
beauty of
Shakespeare sonnets, Simone is utterly in love. She looks down at him
from her
perch across his hips, and holds out a forkful of tiramisu and he eats
it
thoughtfully, amused at the sight of her, hair down to the middle of
her back,
astride him with a plate of dessert.
Later
she will set the confection aside on the nightstand, near his
artificial legs,
and settle herself again along his big body, savoring the familiar
sweet joys
of knowing him as deeply and well as she does. Robbins loves her now
more than
he ever has; after nearly three decades the taste of her body, and
sound of her
passionate sobs still fuel the hunger, and the candles will burn low
before
both he and Simone are sated.
X.
It’s
been a quiet thing between them. She’s not really his type,
or so
Nick thought
at first, but he can’t deny that the woman in his arms is
constantly surprising
him in all the best ways. From her shy smiles, to the day she asked him
out for
coffee nearly three months ago to this moment tonight, LVPD front desk
receptionist Judy Talbrick keeps him on his toes. Who would have
thought that
the curly-haired squeaky little darling from the office was a football
fanatic,
a monster truck maven, a good cook and as hooked on lifting weights as
he was?
She’s
got her lean thighs wrapped around him, and God Almighty, Nick feels as
if he’s
finally found what he’s been needing all this time when she
gives
a little sob
against his cheek. He knows it’s right, almost perfect now,
and
with his heart
thudding loudly in his chest he whispers words into her ear that change
everything for them both.
And
so the night rolls on through the glittering city, moving with the
relentless
tick of the earth on her rotation, as timeless and unchanging as the
stars that
pass overhead, shining down indifferently on the private joys of those
under
them, casting a silvery light through ten different moments in ten
connected
lives, linking them in chain of circumstance and serendipity that none
of them
will ever realize. And the added delight, though only the pale silver
moon
bears witness to it, is that even for Las Vegas, those are amazing odds.